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The Crucible: A Play in Four Acts (Penguin Modern Classics), by Arthur Miller
PDF kostenlos The Crucible: A Play in Four Acts (Penguin Modern Classics), by Arthur Miller
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Synopsis
Arthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - one of the strangest and most awful chapters in human history - and the McCarthyism which gripped America in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.
Über den Autor und weitere Mitwirkende
American dramatist Arthur Miller was born in New York City in 1915. In 1938 Miller won awards for his comedy The Grass Still Grows. His major achievement was Death of a Salesman, which won the 1949 Pulitzer Prize for drama and the 1949 New York Drama Critics' Circle Award. The Crucible was aimed at the widespread congressional investigation of subversive activities in the US; the drama won the 1953 Tony Award. Miller's autobiography, Timebends: A Life was published in 1987.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 144 Seiten
Verlag: Penguin Classics; Auflage: New Ed (24. Februar 2000)
Sprache: Englisch
ISBN-10: 9780141182551
ISBN-13: 978-0141182551
ASIN: 0141182555
Größe und/oder Gewicht:
19,8 x 0,8 x 12,9 cm
Durchschnittliche Kundenbewertung:
4.4 von 5 Sternen
23 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 1.326 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Habe diese Edition von The Crucible als Vorbereitung für einen Theaterbesuch in London gekauft. Neben dem Text des Stücks sind jede Menge Hintergrundinformationen (auch für Theaterlaien) beinhaltet: Infos über Arthur Miller und die Zeit, zu der The Crucible geschrieben wurde, Charakterbeschreibungen und Interpretationen. Alles was man braucht, um das Stück gut vorbereitet genießen zu können.Die Inszenierung in London war übrigens hervorragend und wurde von Digital Theatre gefilmt.... nur so als Tipp, für diejenigen, die mehr als das trockene Papier studieren und eine emotional mitreissende Inszenierung sehen möchten :-)
Everything is outstanding about this edition: the biographical details on Miller's life, the comprehensive introduction to the play as well as the notes at the back. Ideal for self-study.
This is a play that is based on historical people and real events. It tells the story of the Salem witches in Massachusetts in the 1600s. There is a group of teenage girls that were caught practicing witchcraft in the woods, but turn the tables and confess to seeing at least 100 women and men in the town with the Devil. The courts believe the children and arrest all the people they name.This story was quite good. I live in Massachusetts, and enjoyed visiting Salem and learning about the witch trials. I shook my head several times reading this book - did these adults really take the word of these children over well respected men and women in the town? If these adults confessed - they were let go. If they didn't confess - even though they weren't guilty, they were hanged. Huh? Madness. Many women and men died because they were accused and tried in court for witchcraft, and they were hanged even if they were innocent. Incredible.I recommend this book. It was well written, and flowed nicely, and the story was easy to read. Check it out.
For dramatic tension, for a resounding lesson in the ethical treatment of others, this four-act play excels. Set in the 1692 Salem witch trial debacle--a black eye in our heritage--Miller wrote the play parallel to the McCarthy hearings. America in the 1950's was then in the classic, titan struggle against a new threat: Communism.But in 1692, 19 people were executed for the crimes of witchcraft and associating in the black arts. Miller takes this historical arena, stirs in a failed love tryst, and the dramatic tension never lets up.The play is worth studying for several reasons: First, it has a strident moral tone that is extremely important for students to explore. Justice is not always a given in our society, and in the execution of justice, if we lose our sanity, we can err into several pitfalls of bad logic, or fallacies--the fallacies of Bandwagon, Hasty Generalization, False Cause, Two Wrongs Make a Right, and so on. Second, it teaches us our own history, with scars. Third, through Miller's deft use of language, we watch (read) a classicly structured play develop.
esta obra de arthur miller demuestra gran ingenio de su parte, ya que combina un tema antiguo e historico como fue la cazeria de brujas del poblado de salem, hecho que se recuenta en la letra escarlata de hawthorne aunque no directamente y lo une con un hecho presente, la cazeria politica que se vivia cuando se escribio la obra es interesante,porque combina un tema politico con la persecucion religiosa y las mentiras que se tejen alrededor de reputaciones con el fin de terminar con un supuesto enemigo que solo esta en las mentes de los perseguidores.Luis Mendez
A considerable number of plays from the 50s come across as melodramatic, cynical and stilted today. In contrast, Miller's classic remains powerful and universal - but not for the usual reasons you'd expect. As a drama it has more in common with 19th century works in the tradition of Ibsen or even the novels of Hugo than with the 50s authors like Williams, Beckett, O'Neill, or even the Miller of Death of a Salesmen. Instead of the drab, pathetic, cowardly, sad, sniveling, or absurdist characters of some of his contemporaries we see people of moral stature. People in the mist of an irrational hysteria with normal human frailties but with moral sense. An interesting dimension is added in the portrayal of the villains. At one point in the play it seems expedient for the 'chief inquisitor' to temper or betray his crusade. He chooses to follow his vision (I am being vague to avoid giving away any plot). Compare this to Hugo's Javert in Les Miserables. By writing the villain in such a manner both authors create a drama that pits two moral codes - two views of reality. This elevates Miller's play to the level of a romantic realist drama.Many of the other reviewers will point out the intended parallels to events of the 50s. However, Miller's play is more universal and can be viewed in relation to any fanatical hysteria. This is still timely today given the Politically Correct hysteria on college campuses.
Ultimately, we never enjoy novels or plays we are forced to read as much as free choice reading selections. However, I was pleasantly surprised with my school's decision to do a reading of 'The Crucible.' With the exception of 'To Kill a Mockingbird', it would have to be one of their better choices. 'The Crucible' is cruel and frustrating, but is certainly a book that teaches us much about this period of time in this area of America. It has to contain some of the most hypocritical characters in a written piece I have ever encountered. My frustration and dislike for Abigail, mounted steadily to a growing hate at the close of the play. I feel that whilst this was not close to a perfect play, and occasionally frustrated me with it's consistancy, it is both informative and relatively entertaining. A somewhat short read, which I am sure would be marvellous to see as a play.
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